• WORKS
  • EXHIBITION
    • UM TETO 2026
    • NEM TUDO QUE RELUZ 2025
    • INFINITOS - CCJF 2025
    • ENTROPIA 2024
    • SUBMERSOS 2023
    • HÍBRIDOS 2022
    • PASSES I - RESIDÊNCIA WOZEN 2020
    • BLACK OVER WHITE 2018
    • FICÇÕES SENSORIAIS 2016
    • SPACES AND SPECTACLES 2016
    • AFORISMAS, RIZOMAS E SELVAGERIA 2015
    • TIME IS NEVER PAST NOR PRESENT 2014
    • RODA VIVA 2014
    • ACONTECIMENTO ENCARNADO 2013
    • OCUPAÇÃO MACIA 2012
    • DEVIRNEANDO 2009
    • NOVA ARTE NOVA 2008
    • RETALHOS 2006
  • PRESS
  • TEXT
  • BIO
  • CONTACT

MARIA LYNCH

  • WORKS
  • EXHIBITION
    • UM TETO 2026
    • NEM TUDO QUE RELUZ 2025
    • INFINITOS - CCJF 2025
    • ENTROPIA 2024
    • SUBMERSOS 2023
    • HÍBRIDOS 2022
    • PASSES I - RESIDÊNCIA WOZEN 2020
    • BLACK OVER WHITE 2018
    • FICÇÕES SENSORIAIS 2016
    • SPACES AND SPECTACLES 2016
    • AFORISMAS, RIZOMAS E SELVAGERIA 2015
    • TIME IS NEVER PAST NOR PRESENT 2014
    • RODA VIVA 2014
    • ACONTECIMENTO ENCARNADO 2013
    • OCUPAÇÃO MACIA 2012
    • DEVIRNEANDO 2009
    • NOVA ARTE NOVA 2008
    • RETALHOS 2006
  • PRESS
  • TEXT
  • BIO
  • CONTACT

THE FOLD STAGE, RHIZOMES, AND SAVAGERY. INTERVIEW BY LUISA DUARTE


APPEARANCES THAT ARE NOT DECEIVING BY LIGIA CANONGIA


AMBIGUITY BY FELIPE SCOVINO


NOUS DANS L'OUBLI DE NOS MÉTAMORPHOSES BY GUILHERME BUENO


THE FLESH OF COLOR BY MARISA FLÓRIDO CESAR


LETTER BY FREDERICO COELHO


FOR A PAINTING OF PARTS BY LUISA DUARTE


MARIA LYNCH: RATIONAL EXUBERANCE BY PETER FRANK


COLORS: RESPECT AND WILDNESS BY PAULO SERGIO DUARTE


MÁQUINA DEVIR (AO MEU AMOR) POR BERNARDO MOSQUEIRA


TALISMÃ POR MARC POTTIER